The remaining members of the band reunited last fall to tour as The Other Ones. Yet as much as their detractors might prefer to keep them buried, the Dead again choogle among us. Yet they were also subject to powerful enmity and mockery often written off as standard bearers for an ignorant, torpid, left-wing hippie cult and an awful band of shapeless, self-indulgent musicians besides. Never ones to sell a ton of records, the Grateful Dead were a phenomenally popular touring act in a career that started in 1965 and continued until the death of lead guitarist Jerry Garcia. As a member of the National Guard, Hunter had been called up to keep order during the 1965 Watts riots. And he knew American culture from many perspectives. "We honor American culture, and what we find good in it," Hunter said of the Dead. That fealty, he thought, was why that aspect of the '60s faded away while the Dead kept on truckin'. ![]() Hunter replied that he found distasteful the fealty to Moscow and Peking (as it was called back then) widespread among prominent '60s revolutionaries. What was the Dead's relationship, the interviewer wondered, to the activist political movement that had been dedicated to bringing down a fascist warmongering Amerika? ROBERT HUNTER, LYRICIST for the Grateful Dead, was interviewed in the 1990S by someone who wanted to know where that quintessential '60s countercultural band had stood on the key issue of those times-that-were-a-changin'. ![]() Retrieved from Ī Long Strange Trip: The Inside History of the Grateful Dead, by Dennis McNally, New York: Broadway Books, 684 pages, $30 APA style: Come hear Uncle Sam's band: the hippie capitalism of the Grateful Dead. ![]() Come hear Uncle Sam's band: the hippie capitalism of the Grateful Dead." Retrieved from MLA style: "Come hear Uncle Sam's band: the hippie capitalism of the Grateful Dead." The Free Library.
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